Man, that was HARD. I wrote recently about focusing on one thing at a time. I’d been listening to a podcast where Tim Ferris said he’d once heard someone say that being able to focus on one task at a … Continue reading
During the podcast, which centred on self-improvement, he quoted someone who’d come up with the line that in today’s world, if you are able to focus on one thing only for two to five hours, it’s the modern-day equivalent of a superpower.
What do you get if you focus solely on one thing for two hours, then? I’m on a mission to find out. When I write, I seldom, if ever, complete any piece of writing without doing something else at the same time.
Mostly, I’m listening to the radio. But I’m also watching the email icon, and if I get a new e-mail, I’ll come out of Word and read it. Then, I might write something and feel the need to look stuff up—whether it’s fact checking or the thesaurus as I seek an alternative to a word I keep using. Or I’ll just look up anything random that pops into my mind.
There’s one piece of work I do every week that I never manage to write without doing something else. I wander off to see if my cat wants attention, or I check on the washing hanging outside. I fold up clothes or change the sheets on my bed. As I don’t find the work inspiring at all, it’s an effort to finish it. It would be much less of an effort if I just concentrated, wrote the whole lot at once and got it over and done with.
Ah, procrastination… thine embodiment is the writer.
The radio? Switch it off. My inbox? Close the mail app. Checking things—highlight them as a reminder to verify or refine after the words have been written. Housework? It will wait.
Pic thanks to Topher McCulloch on flickr
Originally posted on BlondeWriteMore:
On those dark and gloomy days when it feels like the world has turned away from our work, we can always rely on our pets to make us smile again. Pets play an important role in…
Here’s a short extract from a project I’m working on…
“Oh wow. You’re so pretty.”
Kippy wasn’t sure he liked a man touching his face, but Danny had reached out a hand and swept two fingers slowly from the temple to his jaw.
“I adore freckles.”
There was another thing Kippy wasn’t sure about: campness. Danny was as camp as Christmas, as the saying went. The party hadn’t been his idea, but Lillian insisted. She’d kind of taken him under her wing when he first arrived in Glasgow. She was very posh, but then he and posh girls got along if Daisy had been anything to go by.
Kippy was older than everyone else at art school, apart from Lillian whose parents had been wealthy enough to finance her through not just one, but two gap years. She swooped on him on their first day.
“Ooh—and what’s your name, precious?”
He was monosyllabic, partly through nerves and because he didn’t want to get into yet another Daisy situation where a woman fell for him.
She shook her head when he said ‘Kippy’. “I’m not calling you that. What’s your real name?”
“Alan Kirkpatrick.” He was still mumbling, hoping this pushy blonde would push off.
“Hmm,” she wrinkled her nose. “Terrible, too. I suppose I’ll have to stick with Kippy.”
She threaded an arm through his. “We need to stick together. Everyone else here is so young and so inexperienced. I hate teenagers, don’t you?” Said with all the bloated confidence of one just a year out of her teens.
Kippy’s worries about a repeat of the Daisy situation came to nothing. Lillian knew he was gay, she announced grandly. She had a sense for these things. As someone only just coming to terms with life beyond the closet, her revelation made him uncomfortable.
He remembered the teasing he’d put up with while he was doing his college course some years ago. Davy, Ewan and those other apprentices, the ones skilled in wrinkling out differences in their peers, zoning in on anything they suspected wasn’t just so. Had he not hidden it as well as he thought?
Kippy hadn’t actually known what he was hiding for a long time. Instinct had warned him to keep quiet about how different he felt from everyone around him anyway, though. He hid behind Daisy for some months until…The Thing happened. And then his life changed, mostly for the better but the start of his new life had been unbelievably hard and painful.
Lillian was like no-one else he’d ever met. She insisted that in the 90s, it was de riguer for al la mode women such as herself to have a GBF. When he looked mystified, she sighed. “A gay best friend, precious.”
She cocked her head to one side. “You’re from the sticks too. I don’t suppose you had much opportunity to explore your sexuality.”
Honestly, sometimes it was a bit like having a conversation about sex with your mum. He squirmed.
“Auntie Lillian can help!”
She was unbelievably nosey too. She asked questions all the time, almost as if she was researching him. So, tell me about Kirkcudbright? What about your mum and dad? When did you realise you were gay? Have you ever kissed a man?
When he finally admitted that no, he’d never so much as given a guy a hug, she clapped her hands together.
“That’s awful. First thing, then. I must introduce you to some friends of mine.”
Hence, the party.
These being Lillian’s friends, the party was taking place in a flat in the west end, just off the Great Western Road. These flats were so posh, they had two floors.
Lillian had insisted on picking out his outfit for him. Kippy had been going through a phase of velvet blazers, but she turned up her nose on them. “Too obvious!” She held up a plain white tee shirt and his old, worn Levi’s.
“Be the man in the laundrette,” she said, referring to the old advert where Nick Kamen stripped off, puts his jeans in a washing machine and sat in his boxers waiting for them to dry.
As a fourteen-year-old, Kippy had watched the advert a lot. Even now, if Marvin Gaye’s Heard it Through the Grapevine came on the radio, he felt his body quiver in excitement.
The outfit seemed to have done the trick. The party-goers were sixty-forty men to women. Lillian and Kippy were fashionably late arriving, and the attention that greeted them was flattering.
The party’s host made his way towards them, his eyes fixed on Kippy.
“Lillian! You beautiful thing, you. Who’s this?”
Danny wasn’t his ‘type’ anyway. Until very recently, Kippy couldn’t have told you what his type was. A picture swam before his eyes, a half-naked man wearing turned down overalls and a lazy grin. He blinked several times, hoping he wouldn’t cry.
Lillian leant forward and whispered something to Danny.
“I’ll get you both a drink,” Danny said. “And then mingle, do! We’re all good friends of Dorothy here.”
He winked, the eyes then flashing Kippy a lustful look.
“Are you okay, Alan?” Lillian asked. She was the only person under thirty who ever called him that, but he thought he maybe liked it. She said, ‘Alan’, when she was being serious, or asking difficult questions.
“Aye,” he nodded slowly. He’d be better once he had a drink in him. “Who’s Dorothy?”
©Emma Baird 2017
I set up an Amazon ad for a book of mine recently as an experiment. I’d listened to a webinar on the subject, hosted by Joanna Penn of the Creative Penn, and Mark Dawson of the Self-Publishing Formula.
As it’s relatively cheap—you only pay for the ads that get clicked on—I thought I’d give it a go. My Book Katie and the Deelans has not sold well on Amazon. There are millions of books out there, and the competition is fierce. I wanted to give the book a chance to stand out a little more.
I opted for the ads that appear when you type in certain search terms, such as ‘harry potter’ and JK Rowling, as my book is similar. I paid for fifteen keywords in total, $0.50 per keyword.
I let the advert run for ten days. In that time, it made 134,212 impressions (i.e. the number of times it was seen), resulted in 49 clicks, and cost me $12.97. No sales, though!
I did learn from my experience. Not that many people clicked on the ad in the first place, suggesting it wasn’t that appealing. Was the wording wrong, or as I suspect, the cover not attractive enough?
Those who did click didn’t buy. I did re-write the blurb half way through the campaign, but that didn’t make any difference. I also got rid of the book’s prologue, as it didn’t relate entirely to the whole book so anyone sampling the contents might not have got the right feel for the book.
What about social proof? The book has five-star reviews, but not enough reviews in general. Reviews are what most buyers want these days, especially if you’re an unknown quantity.
I’ve known for a long time the book needs sorting. It needs rewriting, and it needs copy editing. It could do with a new cover and a different blurb. The Amazon campaign reinforced all these points.
Would I use Amazon ads again? Absolutely. I certainly plan to use it for the next book. I did find out what were the most useful keywords from my list of fifteen (JK Rowling, harry potter and Rick Riordan). The campaign didn’t cost me a lot of money, and it was worth finding out about.
A little Friday flash fiction for you…
“Not half. It’s been a long winter.”
British weather offered conversation for every situation. Our new neighbours—four small children and a dog—moved in last week. We watched, half-hidden behind curtains, as they installed a trampoline in their garden.
It had been cold and wet ever since.
“How old are your wee ones?”
“The twins are three, Alex is five and Karly’s six.”
The four of them had appeared, fanning out behind their dad. They regarded me coolly, shaking their head when told to say hello.
War was silently declared.
©Emma Baird 2017
The Girls* is a gripping read. I’ve read most of Lisa Jewell’s books over the years, and her latest novel is an accomplished achievement. As a writer, she just gets better and better.
The book tells the story of a family who move into a flat in London, which shares a large garden with the properties of other families. The story is mostly told from three viewpoints: that of the 12-year-old daughter, Pip; her mother; and a woman who is a long-term resident.
It starts with the discovery of Pip’s older sister Grace in the garden, unconscious and half naked. The story then moves back to the arrival of the family in the area, and how they adjust to their new lives and living with their new neighbours.
Jewell is known for writing intelligent women’s fiction, and this book is no exception. It has a crime fiction element to it too. Who attacked Grace and why? The final revelation is a surprise, and the author cleverly sets up a few red herrings on the way. Themes that run through the book include trust and adolescence. How would three girls, home-schooled and growing up in a close community react to strangers coming in?
My only minor criticism would be that Pip’s letters to her dad sound a little too grown-up from time to time. There’s the odd word or phrase that’s too adult. Having said that, through her depiction of Tyler and the three Howe girls, Jewell portrays fantastic characters and demonstrates a great understanding of what it’s like to be a teenage girl.
*The book I read was called The Girls, not The Girls in the Garden. Maybe it has a different title outside the UK.