“Look what I’ve got!” Daisy’s face was triumphant. She waved the postcard in front of Katrina’s face. “It’s from Mick!” No way on this earth would Katrina ever take that postcard from her hand. Even though she wanted to. Daisy … Continue reading
OK, OK – this one is a bit of a misnomer in a blatant attempt to try and get more search engine hits. I am, in reality, a brazen, attention-seeking hussy who will stop at nothing in my quest to make the world sit up and notice.
(I should have called this post how to self-publicise, rather than publish really.)
Anyway, I am jolly excited today because publication of my own book is indeed imminent. It would be foolish to name a date, but the moment of holding a hard copy of Katie and the Deelans in my hands creeps ever closer. Excitement reigns in the highheelsandpinkglitter household.
There’s a saying about press & PR (it being dead an’ all) that companies or brands are no longer content trying to get published, they are publishers in themselves and the same can apply to writers. Why bother with the faff that is agent-hunting [cue: different submission versions required for each, plus the wait for replies, plus the generic rejection emails] when you can cut to the chase AND not have to hand over a fair whack of your sales?
Really, the title of this post is – why self-publish? There’s an excellent guide here as to the pros and cons of self-publishing versus traditional publishing. Naturally, as it suits my purposes (and my efforts with traditional publishing have so far yielded a big fat zilch) I’ve chosen to focus on the drawbacks of traditional publishing (and thanks to Kevin Martin-Smith for this info):
|Traditional Publishing Drawbacks
It’s slow: It takes somewhere between 9-18 months for a book to be released once it is submitted to a publisher, an infinity in the digital world.
It’s unfair: Publishers take the lion’s share of royalties, usually 85-92%. That means most authors earn about a buck per book, or less. Publishers hog roughly 70% of electronic royalties, for a product that has almost no production or distribution costs.
It’s outdated: They are not social-media savvy; they may have powerful inroads to traditional media, like TV and print magazines, but those things are increasingly irrelevant to book sales.
It’s ineffective: They do not give most authors a very big marketing push, or sometimes any marketing push at all.
It’s short-lived: Most authors’ books will be in bookstores for a few weeks and then get pulled from the shelves when they don’t sell very well, leaving it entirely up to Amazon sales. This begs the question: why not just use Amazon?
It’s not cost-effective: The vast majority of authors don’t make any real bankable money on their books.
My own route to self-publishing goes like this… Write a book. Phew – that’s the difficult bit over and done with, hmm? Ah no. Re-write book once. Re-write book twice (this time stripping out a lot of excess stuff, even though it made me want to cry).
Use social media. I found a publisher through LinkedIn, specifically the small and perfectly formed Comely Bank Publishing, a publishing firm aimed at creating opportunities for Scottish-based authors.
CBP’s modus operandi is:
|Comely Bank Publishing aims to create opportunities for local Edinburgh-area authors to publish works of interest using twenty-first century publishing options, including ebooks and print on demand.
We genuinely believe that too many authors are failing to have their works published because publishers and publishing agents have become too cautious, grasping at poorer-quality work simply because it carries the name of an established author or a bankable name such as a sports star, and that the future of literature can only be saved if bright new talent is nurtured as it used to be.
[There are specific resources on this site designed to help new authors think about some of the issues surrounding publishing.]
Thirdly, find a professional proof-reader. I looked through elance. I work on elance so seeing it from the other side was interesting and enlightening (and I also picked up some tips for how to structure my proposals from now on).
And next? Well, next is apply the changes from the proof-reader, make a cover design decision and then… PUBLISH. And flippin’ self-promote like mad.
I am a self-styled expert in many things… educating myself via the internet, for one thing and how to conduct endless research on different dieting and fitness methods without ever actually applying them consistently to self for another thing.
It seems that a lot of people type “how to” type queries into search engines (no kidding, Sherlock) and therefore, from time to time, I decide to write a “how to” post in a bid for online popularity. How to make an art skill out of procrastination would be my real area of expertise, but seeing as you are currently (and very kindly) reading my blog I’m going to label you an expert procrastinator without any need whatsoever of my help in that area so how to write flash fiction it is…
Flash fiction can be anything from 140 characters a la Twitter up to 1,000 words according to wikipedia, but there is no real prescribed limit. Aesop’s Fables can be thought of as flash fiction, according to the wonderful wiki, so very short stories are nothing new at all. If you want to write flash fiction (and there are many websites which welcome regular contributions, including this one and this one), here is how to start:
- A story needs a beginning, a middle and an end. Very obvious yes, but the beginning should scene set (exposition), the middle describe a mini climax (rising action and falling action) and the end bring it all together.
- The end does not need to tie up all loose ends; it could leave the reader thinking – and wanting more.
- Sometimes, the first line is enough to think up in the first place without a clear idea of where the story is going. Take for example – ‘Molly’s latest boyfriend hadn’t specified at the beginning that he was a volunteer traffic warden and it was beginning to become a problem.‘ There are a lot of places you could go with this one line – the problems of being a volunteer traffic warden, or how to get rid of a dull boyfriend in murderous ways, for example.
- Excess words don’t have a place in flash fiction – you will need to ensure you have plenty of words to use so you can contrast descriptions, adjectives and adverbs, and then discard what you don’t need.
- It’s easier to write flash fiction if you write it all out, then check the word count and then start to pare back the words. Visualise the overall length at the beginning to help guide you – I’ve been writing 100-word flash fiction for seven months now and I know it is roughly three short paragraphs (six or seven sentences), whereas 500 words is about a page and half of A4.
As an added bonus, once you hone your skills on flash fiction they translate to other areas of your life. Writing a CV/resume? Think of the ‘why you want this job’ bit as the opportunity of flash fiction starring you*. Writing a synopsis of your fictional masterpiece? Flash fiction skills give you the discipline of condensing words into small amounts. Writing a presentation – flash fiction helps you sum up your story in a dynamic way etc etc.
*I take no responsibility if you carry out this bit of advice and your employers subsequently decide you have played fast and loose with ‘fiction’.
An ambition was realised this week in the Highheelsandpinkglitter household… It was not that I finally managed to do a handstand (since childhood, I’ve always wanted to be able to throw my legs up into the air and perhaps even ‘walk’ a few paces on my hands) as, sigh, that has yet to happen…
…no, instead this week I am a published author finally! Now, I realise this is somewhat disingenuous. Words have been written on this blog about words I have written elsewhere; namely words that have made up my first entirely amateur attempt at fiction.
So perhaps a few of you got a bit of a jolt there – “Blimey lady! You told us that book – and a first attempt at that, mind! – got finished a mere six weeks ago or so. And now you’re saying it’s been published?! Who the heck is your agent/publisher or have you hastily attempted your own edits and rushed it out as a self-published e-book in an act of sheer, hasty folly?”
Sheer, hasty folly was not committed dear reader, I promise. The book in question was not THE BOOK, it was instead a commission I got as a freelancer to write e-books on diets. I bid for the job as I do read a lot about health, dieting and fitness and I thought I might as well write about something I might not need to do much research about. [I was wrong about the latter].
So this week, the book has been published on Amazon. Setting aside any qualms about Amazon and its employment policies in the UK (oh woe, my pitiful lack of principles is exposed once more), I have looked at the particular page quite a few times. [“C’est moi!! C’est moi name! C’est moi book – oh all right, I’ll stop with the awful, pidgin French]. I sent the link to my mum in an email, subject line: You are now the mother of a published author. Cheesy hmm?
[As my husband was not around that day either, he too got an email, subject line: You are now the husband of a published author. My sisters got one – You are now the sister of a published author. My aunt will get one – You are now the… OK, I think no further explanations of this sort are necessary].
With Amazon though, one runs the gauntlet of customer reviews. At this early stage, there are none. I’m debating whether getting no reviews would be just as terrible as awful reviews… Hmm. Double hmm.
Anyway, it was a terribly thrilling and hopefully (oh please) a taste of things to come. I’m now off to look up ‘how to’ videos on YouTube. Handstands specifically.
*Sincere apologies to zero hour contracts folks, and doubly sincere apologies to independent book sellers, video sellers and any other independent sellers whatsoever…