A farewell to all that

How’s your year been? Twenty-twenty two had a blink and you miss it quality—the year dashing past so fast it is difficult to believe the end is almost upon us.

In 2022, I hit a milestone birthday, travelled all over the UK relishing that freedom after the pandemic restrictions of the past few years, joined in a national book group reading challenge*, signed a contract for one of my books, received payment for the retention of the audio/visual rights for another, and caught up with a lot of people I hadn’t seen for years.

I fell off the blogging horse in 2021 and didn’t remount it in 2022 (that is one HORRIFIC analogy, sorry) BUT I plan to address that in 2023.

Man falling off white horse

The best bloggers are consistent and single-minded about what they write about. I follow a good few of them. Alas, my scatter-brained approach has never lent itself to consistency or single-mindedness.

Great for writing fiction as it allows for flights of fancy, but not so good when trying to come up with a consistent theme for a blog. And the life of this writer doesn’t lend itself to thrilling blog content.

Got up early. Bashed out 1,231 words before grinding to a halt when I realised that I’d created a ginormous plot hole. Mulled it over for the rest of the day without coming up with a solution. Wasted time on Twitter working myself up into a righteous rage over the behaviour of terrible politicians. Did the paid job. Exercised. Wrote a little bit more. Ate dinner. Collapsed in front of the TV…**

Repeat ad nauseum.

Woman writing in a notepad

However, I loved blogging when I started in 2012, and blogs are still my preferred choice for keeping up with what other people are doing, following my interests (writing, cooking, travel and nature, diabetes, nature photography 1 and 2, books, reading and archiving) educating myself and more.

Many of the platforms that later supplanted blogging did not exist in 2012. And yet given the choice between reading blogs or scrolling my way through Instagram/TikTok feeds? No contest.

There is also plenty of evidence that scrolling through social media does little, if anything, for you.*** Creatives tend to suffer extensively from comparison-itis. There is always someone popping up in your feed, excitedly detailing their book/TV/film deal/number of reads/commissioning for a script, etc.

I can’t think of a single blog I follow that makes me feel dissatisfied, envious, helpless, furious or any of the other emotions I routinely associate with social media.

So, to the future! Back to blogging… every week I plan to write about my week and find some way of making it interesting, funny and engaging.

A tall order, yes, but nothing wrong with starting the year with a lofty ambition or two. And talking of lofty ambitions, I plan on publishing not one, not two but three books this year, starting with the one in the illustration below:

Anyway, HAPPY NEW YEAR to you all. May 2023 bring you health and happiness!

*Sadly, our book group wasn’t chosen, but the experience was terrific fun and BBC Scotland then used us as sounding boards for a potential new programme about book groups and reading.

**Other writers’ experiences may vary.

***Sleep disturbances, emotional dysregulation, diminished academic performance and depression. Hilariously, there’s a pop-up on the article I read urging you to follow the website on Instagram…

Horse photo by Pixabay from Pexels: https://www.pexels.com/photo/action-animal-bronco-bucking-33251/

Woman Writing Photo by JESHOOTS.com on StockSnap

New Year photo: Jernej Furman on Flickr

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Bubbles, books and #NaNoWriMo

<p value="<amp-fit-text layout="fixed-height" min-font-size="6" max-font-size="72" height="80">This week, we’ve been thinking about bubbles…This week, we’ve been thinking about bubbles…

The fizzy ones you find in champagne came into use today* when I finished this year’s #NaNoWriMo. Cheers to me and all that, having completed the 50,000 words in one month challenge. But before I get too self-congratulatory, there is a lot of revising and editing to be done. As someone once said, the first draft of a book is a ‘word vomit’, a hot mess of ill-conceived ideas, open loops and plot holes a plenty.

If I toss them all up in the air, maybe they’ll fall onto the ground and make sense… Said no editor in the world ever. But hey ho, that’s next year’s job. The book is available to read on Wattpad.

The other bubbles involve family and friends. For those of you out with the UK, we are back in lockdown and have been for a while as wave two (or is it still one, seeing as the respite lasted about two weeks?) sweeps its way over our shores. But the UK government and the devolved administrations put their heads together and came up with… bubbles for Christmas.

You can travel. You can see people not in your household. In their or your house too. Only, don’t mix too many households. Three only, so bubble one, bubble two and bubble three can mix but not with anyone else. So if bubble three had a bubble one and two of their own (say, people unrelated to those in bubble one and two), then they are not supposed to mix them up.

Impossible to enforce and relying once again on common sense and decency. Some of us will be more cautious/law-abiding than others. No judgement, except on those who flagrantly break the rules. Anyway, we’re aiming for a mix of dinner with one household/outdoor walks with another one if the winter weather permits.

Finally, not bubble related unless you put it in a bubble called ‘complete escapism from what is happening all around us’, Highland Christmas is now available for pre-order! I have a small but devoted Highland Books fan club on Wattpad, and they made lots of lovely comments about this book, which was gratifying.

You can pre-order the book here (Amazon UK) and here (Amazon US)

This is the blurb:

Christmas—joy, happiness and family fun, right?

As new parents and the co-owners of a village hotel, Gaby and Jack are looking forward to some time out come the end of December… Sure, being in the hospitality industry means working when everyone else is off, but once they’ve waved goodbye to the hotel’s Christmas guests, it’s all hands on deck for family festivities.

But Gaby’s mum has other plans in mind—ones that set Gaby and brother Dylan on a collision course with her. Nanna Cooper’s not in the best of health and Katya is coping with heartbreak once more. Just who is her baby’s daddy? Dexter demands to know…

Meanwhile, Lachlan seems to be up to no good, meeting strangers late at night and handing over brown envelopes while Mhari, as ever, is poking her nose in everywhere. Caroline, the once super enthusiastic grandmother, seems to have lost her appetite for babysitting Evie.

Featuring misbehaving grandmothers, secretive brothers and a whole lot of laughs, Highland Christmas is a heart-warming tale of rural life in Scotland.

If money is tight, you can read the book for free on Wattpad, where you will find it under my user name @SavvyDunn.

*last night. I’m not a lush. Well, only half the time.

The Ten Bonuses of Writing for a Living

Writing for a living—glamorous, well-paid, and sort of sexy and bohemian, right? Bohemian regarding the pay, certainly, but here are some of the reasons why I love being a writer…
1. You get to work for yourself, and most of the time your boss is kind, understanding, reasonable and supportive*.
2. You don’t have to go to meetings. (Well, not many of them.) When I lived in the office world, most meetings I went to were like the ones they show on the BBC show, W1A. Here’s a link to a clip for anyone not familiar with this most glorious of satires.
3. Your fingers get a good work-out every day. C’mon. We’re like pianists, our digits moving at double quick time over the keyboard.
4. As a copywriter, you get to find out a little about A LOT. This week, among other things, I dreamt up sales statements for cars (not bad for someone who knows SFA about horsepower, torque and HUD), dug into the importance of living wills, and entered the world of vintage Danish furniture.
5. Writing every day is great practice for what every copywriter really wants—to write novels (my own wee attempt is here). Yes, being forced to think up lots of different ways to make cars sound exciting, and vintage Danish furniture appealing hones those creative skills.
6. You can do it anywhere. So long as you have a connection to the internet, the world’s your oyster. If you want, you can become a trendy digital nomad.
7. Being praised for your work. This might not always happen—and sometimes the opposite occurs—but when someone says they love your stuff, your heart soars.
8. Doing what you love. Every. Single. Day. Hey, even those car statements. And those blogs about cleaning.
9. Reading. You can’t write for a living without doing a LOT of reading. Sometimes, it’s of the dull variety, but it’s always very varied, and I don’t know any writers who don’t also love reading too.
10. The money. That’s my little joke. My bad. Take it from me, kids. You don’t do this job for the moolah.

*You get the odd day when your boss is the BITCH FROM HELL.

Dialogue Tags

Reblogged from Caron Allan fiction:

Writing dialogue is one of those things that you either love or hate. I quite like it, and I’d like to think I’m quite good at it, but I could be just fooling myself.  Dialogue is conversation, it’s your characters acting and reacting together to enhance your story and move the plot along. Through dialogue, the inner person of your characters is revealed, and also their motives, hopes, desires, all the things that make them the people they are and enable them to act out their part in your story. Here are a few tips on what I feel makes good dialogue, or more importantly, what makes bad dialogue.

  1. Don’t over-tag.

What I mean is, you don’t need to assign a speaker and manner of speech to every instance of speech. If your dialogue is written clearly, the reader knows who is speaking. There is nothing more irritating than reading a constant stream of he saidhe added, she went onhe further addedshe replied, etc. Look at this:

“Henry,” his mother called, “How many times,” she asked, “Do I have to tell you to tidy your room?” She went on to say, “You know I don’t have time to do it for you. And in any case, now that you’re thirty-seven you should start to do a few things for yourself,” she added.

Eek! Really, this is all one speech – or it should be. I recommend cutting out the annoying little joining-uppy bits to create one nice smooth speech. Now, what about this one:

“Good morning, Mr Tomlinson,” said Jenny.

“Good morning, Jenny. How are you today?” asked Mr Tomlinson.

“I’m very well thank you, Mr Tomlinson. How are you?” Jenny replied.

“I am also very well, thank you Jenny,” Mr Tomlinson told her.

“I’m very glad to hear that, Mr Tomlinson,” said Jenny.

Maybe we could try writing out our little conversation with no tags at all. I’m sure we could do it so that it was clear who was speaking! Don’t over-tag. Please. I’m begging you.

  1. Adverbs and the humble ‘said’.

Some people say NEVER use adverbs, it is forbidden. They probably also say never go into the forest on a Wednesday…

I say use them occasionally if you want to. Whatever you use, it has to be carefully done. Also, it is almost as bad read a long list of ‘active’ verbs as it is to read a repeated list of adverbs:

The active verbs extravaganza first:

“Good morning, Mr Tomlinson,” Jenny declared.

“Good morning, Jenny. How are you today?” queried Mr Tomlinson.

“I’m very well thank you, Mr Tomlinson. How are you?” Jenny enquired.

“I am also very well, thank you Jenny,” Mr Tomlinson responded.

“I’m very glad to hear that, Mr Tomlinson,” Jenny explained.

OR with adverbs instead:

“Good morning, Mr Tomlinson,” Jenny said warmly.

“Good morning, Jenny. How are you today?” Mr Tomlinson asked worriedly.

“I’m very well thank you, Mr Tomlinson. How are you?” Jenny replied sincerely.

“I am also very well, thank you Jenny,” Mr Tomlinson smiled gratefully.

“I’m very glad to hear that, Mr Tomlinson,” said Jenny emphatically.

Okay, I know you would never write anything like that. But my point is, it’s definitely a case of six of one, half a dozen of the other. They both suck.

In my opinion, a lot of the time, it’s better to just stick with the good old-fashioned ‘said’. Because most of the time, we don’t really need to know how something is said, only what was said. How something is said will hopefully become clear within context of the dialogue. Or the reader can furnish this from their imagination.

Too many active verbs or adverbs and the reader will lose the thread, get lost in the jungle of language, the information conveyed in the paragraph will be lost and the wonderful spell of suspended disbelief you worked so hard to create will be broken as your reader is dragged back into the real world. And nobody wants that.

Said is invisible. The reader’s eye glosses over ‘said’ and fixes on the actual dialogue. Responded/replied/enquired/retorted are not invisible, they claim the reader’s attention and remind them they are reading a story.

  1. Natural – but not too natural

I know we want our dialogue to sound like it was uttered by a real live actual person, but we don’t want it to be too real. In real life we rarely speak properly. And we use a lot of fillers and gaps to get our meaning across. I once knew a lady whose entire speech was made up of fillers and gaps and I never knew what she was actually saying. Conversation was next to impossible, and misconstruing her meaning was a constant hazard. In real life, the above little scene would probably go like this:

“Oh, er, good morning, Mr Tomlinson,” said Jenny.

“And a very good er…to you, er, J…er Jenny. How are you, umm?” asked Mr Tomlinson.

“Well, I’m er, oh well, you know, well erm, thank you, Mr Tomlinson. And are you er…?” Jenny replied.

“I am also very well, thank you Jenny,” Mr Tomlinson told her.

“Well, I’m um, very glad to er…, Mr ummm,” said Jenny.

So ‘real’ speech is not for us. What we are looking for is a style that gives the appearance of reality without all that dreary waiting around and time-wasting. Sometimes we want a little hemming and hawing, as they say, but most of the time we don’t.

“Good morning, Mr Tomlinson.”

“Hello, Jenny. How are you today?”

“I’m fine thanks. Yourself?”

“Yes, thank you, I’m much better.”

“That’s great. Could I have half a pound of bacon, please?”

Yay, the scene finally moved on! And we’ve even learned something from what we’ve read: that a) this is some kind of shop or purchasing situation, b) Mr T has been poorly (that may be relevant) and c) that Jenny needs bacon! Now we are all set to introduce the big scene of the great Full English Breakfast Murders

So dialogue should attempt to be natural, but without real life’s untidiness; needs to be tagged sparingly and clearly but without fuss. More importantly it should move the story along.

The Modern Super-Power – Part Two

Want a super-power? Concentrate*…

Man, that was HARD. I wrote recently about focusing on one thing at a time. I’d been listening to a podcast where Tim Ferris said he’d once heard someone say that being able to focus on one task at a time for up to two to five hours was the modern-day equivalent of a superpower.

If you write, you’ve turned procrastination into an art form. I have. My distractions include the cat. Oh, where are you wee Freddie, do you want a little cuddle? To be honest, most of the time, he probably wants to be left alone to sleep in peace.

Then, I run up and down stairs engaged in trivial tasks, such as putting my empty Diet Coke bottle in the recycling bin when it could quite happily wait until lunchtime. Or I check my emails and react to them, instead of doing what the professionals tell you and checking them, prioritising and replying to them once or twice a day.

I decided I would try to write for two hours straight without the distractions. I usually listen to the radio, so I turned that off. I closed Mailbird, so I didn’t see any notifications of new emails, and I highlighted things that I needed to look up, such as London tube station locations, so I didn’t surf the web while writing.

The discipline I needed! My first challenge was overhearing a conversation going on below me. Yes, I am that little old lady beloved of novelists who twitches the net curtains and peers out of the window at her neighbours. (Not so old though.) I desperately wanted to duck down beside the window ledge and see what was going on.

Then, I finished my Diet Coke and longed to take the empty bottle downstairs and out to the recycling bin. The bed in the spare room needed to be made (I’d left it earlier because the cat was sleeping on it) and while I was trying to find a way to describe a new male character, I itched to go next door and toss the duvet in the air.

But if you don’t count a toilet trip, I did it: two hours’ straight of writing and one whole chapter was the result.

To celebrate, I folded up all the socks that needed pairing. And now I’m off to make the bed in the spare room and annoy the cat.

Rock and roll, eh??

 

*Pic thanks to Maxipixel.

 

The Modern-Day Super Power

And today’s challenge is… I listened to a podcast earlier, where the guest was Tim Ferris known for books such as The Four Hour Body/Working Week and others.

During the podcast, which centred on self-improvement, he quoted someone who’d come up with the line that in today’s world, if you are able to focus on one thing only for two to five hours, it’s the modern-day equivalent of a superpower.

What do you get if you focus solely on one thing for two hours, then? I’m on a mission to find out. When I write, I seldom, if ever, complete any piece of writing without doing something else at the same time.

Mostly, I’m listening to the radio. But I’m also watching the email icon, and if I get a new e-mail, I’ll come out of Word and read it. Then, I might write something and feel the need to look stuff up—whether it’s fact checking or the thesaurus as I seek an alternative to a word I keep using. Or I’ll just look up anything random that pops into my mind.

There’s one piece of work I do every week that I never manage to write without doing something else. I wander off to see if my cat wants attention, or I check on the washing hanging outside. I fold up clothes or change the sheets on my bed. As I don’t find the work inspiring at all, it’s an effort to finish it. It would be much less of an effort if I just concentrated, wrote the whole lot at once and got it over and done with.

Ah, procrastination… thine embodiment is the writer.

The radio? Switch it off. My inbox? Close the mail app. Checking things—highlight them as a reminder to verify or refine after the words have been written. Housework? It will wait.

Here goes…

 

Pic thanks to Topher McCulloch on flickr

 

The Girls: A Review

The Girls in the GardenThe Girls in the Garden by Lisa Jewell
My rating: 5 of 5 stars

The Girls* is a gripping read. I’ve read most of Lisa Jewell’s books over the years, and her latest novel is an accomplished achievement. As a writer, she just gets better and better.

The book tells the story of a family who move into a flat in London, which shares a large garden with the properties of other families. The story is mostly told from three viewpoints: that of the 12-year-old daughter, Pip; her mother; and a woman who is a long-term resident.

It starts with the discovery of Pip’s older sister Grace in the garden, unconscious and half naked. The story then moves back to the arrival of the family in the area, and how they adjust to their new lives and living with their new neighbours.

Jewell is known for writing intelligent women’s fiction, and this book is no exception. It has a crime fiction element to it too. Who attacked Grace and why? The final revelation is a surprise, and the author cleverly sets up a few red herrings on the way. Themes that run through the book include trust and adolescence. How would three girls, home-schooled and growing up in a close community react to strangers coming in?

My only minor criticism would be that Pip’s letters to her dad sound a little too grown-up from time to time. There’s the odd word or phrase that’s too adult. Having said that, through her depiction of Tyler and the three Howe girls, Jewell portrays fantastic characters and demonstrates a great understanding of what it’s like to be a teenage girl.

*The book I read was called The Girls, not The Girls in the Garden. Maybe it has a different title outside the UK.

View all my reviews

Kelly’s 40th

sweet wrappersI seem to have hit my stride – discovered what I really like writing about, and that makes writing really easy.

It turns out I like writing about the emotional ups and downs of Scottish women in their 40s. As I’m a Scottish woman in my 40s, then maybe that’s not surprising. Write about what you know, right?

Anyway, here is chapter one of what I’m writing now. It does contain some adult content and bad language, so if you don’t like that kind of thing, please don’t read any further.

 

 

January

Hey @Kelly1976! Just to let you know we can’t make ur 40th on Sat. Bit of an epic Christmas & New Year. Sorry! Sure it’ll be fab #Kelly40!

Wow. An “I’m not-coming” RSVP via Twitter. That had to be a first, setting a new lower-than-ever standard for etiquette. It was the day before her party, and the unwritten rules of politeness according to Kelly Thompson was that if you had to cancel at short notice you did it by phone.

A text or email was bad enough – but Twitter was public. Said friend had just revealed how (not) special she thought Kelly was and told millions of people at the same time.

Having a birthday on the 3rd of January had always put her at a disadvantage. As a child, most people had chosen to give her joint birthday and Christmas presents, and Kelly always suspected that the combined value did not add up to the same amount as two separate gifts. The same rule applied to birthday parties. Her younger and older sisters both had birthdays in the summer. Their celebrations felt quite distinct from Christmas.

Children and teenagers were quite happy to party any time – it didn’t matter to them that Christmas and New Year had only just taken place – though her mother often tried to move the party closer to New Year so she could see her friends at the same time. But at least in her youth, those Kelly invited always came to her parties.

Unlike now. She ought to be used to it. For the last 12 years or so, there had been a marked reluctance from friends and even family to throw themselves enthusiastically into any birthday celebrations precisely because of the proximity to the festive season. It hurt then, it still did.

It rankled all the more because she was single. If she had a partner, perhaps he would have booked her into a top hotel – the five-star Gleneagles Hotel in Perthshire perhaps – for a weekend, spa appointment, taster menu and the finest selection of wines all included. Then, she supposed she wouldn’t give a flying fuck about organising a party or some kind of special celebration with friends to mark the passing years. Nope, she’d be too busy listening to the sommelier as he explained precisely why this particular white went so well with the amuse bouche she was about to eat, as her imaginary husband/partner toasted her, embarrassing her by telling the waiters they had to treat her very well, as the love of his life was 40 today.

Of course, in this little daydream, the waiters all protested vehemently. “Forty? No, no. That’s can’t be possible. Surely madam is celebrating her 30th birthday today?”

Sighing, Kelly stood up and stretched raising her arms high above her head. As a freelancer, she mostly worked from home and that meant spending long hours in front of her PC. Some years ago, she’d invested in one of those Swiss ball chairs which was meant to help with posture – forcing you to sit up straight instead of slouching forward. It was effective, but it didn’t make up for the hours she put in for her various clients. You just weren’t meant to sit for long periods of time.

Outside, it was your typical early January early evening in Glasgow. The rain had been falling steadily all day, and the skies hadn’t brightened from gun-metal grey. At this time of year, the days were short, but this one had felt particularly short because it had been so overcast. She’d had to switch on the lights in her Merchant City flat at three o’clock. The blinds were all firmly pulled down now, and the place felt cosy.

Despite its city centre location, Kelly’s flat was quiet. It was located at the back of the block in Wilson Street and thus not near to the main road. Her windows were triple glazed and the old building featured thick walls. The worst noise was often seagulls – who could start up early in the mornings, but not at this time of the year. She wasn’t on the side nearest to the area’s pubs either. The flat’s relative peace and quiet was an advantage she hadn’t fully appreciated until a few months into her move there. She’d befriended one of her neighbours – a gay guy, who lived on the same floor but whose flat faced the opposite direction. The noise difference was considerable. He had often knocked on the door at night, begging her to let him in so he could sleep in her spare room in the days before she’d turned it into her office, the noise at his side of the building too much for him. Kelly had agreed, secretly thrilled as it felt a bit like having a boyfriend or partner. She always hoped that other people coming down the stairs noticed them leaving her flat together in the morning and thought of them as a couple.

It helped that Josh was incredibly good looking. He wasn’t particularly tall, but he was at least taller than her and he had inherited some impeccable genes from his French mother – olive-skin that always tanned at the merest hint of sun, thick, dark hair, huge Bambi eyes and cheek bones to die for. He was a rower too, and it showed – his shoulders and arms muscular and his torso patterned with lines that defined the much sought after six-pack. He’d let Kelly touch it the first time she’d seen it, her jaw dropped in awe.

“Is that real?” she’d stuttered, and he’d smirked. “Too right. That’s what marks a gay man from a straight one – the care he takes of his body. Darling, I’m a slave to the gym.”

Naturally, his chest was hairless too. And yes, he also favoured the back, sack and crack wax. She hadn’t seen the evidence of that at the time, but some months later after a riotous night out, he’d happily showed her and her best friend Nell what a hairless backside and balls looked like.

“Weirdly naked,” Nell said, and then asked if she could touch them. Kelly protested, but Josh let her, saying it was the closest he’d been to a woman since the age of 14. The three of them watched in interest to see what his cock would do. It slowly stiffened, Josh shrugging apologetically and then glancing at the two of them speculatively.

“I don’t suppose…?”

Nell had looked on the verge of agreeing to whatever, but Kelly stepped in. “Absolutely not! One, you’re gay Josh, and two, Nell’s married.” She held her hand up as Nell murmured that giving a gay man a hand job wasn’t technically infidelity, surely.

“Yes, it is! What do you think Daniel would say if you explained to him that you’d just jerked off another man? Want me to throw a bucket of ice water over that Josh?”

Both of them looked suitably chastened, the change in mood backed up by Josh’s rapidly deflating erection.

Kelly supposed it was his fault she was so fussy these days. He’d set the standard for how a man should look if she were to fancy him, and his image often popped up in her mind when a man stripped off in front of her for the first time. Much as she tried not to, Josh’s torso would float enticingly in front of her, obscuring the view of saggy man boobs, and a stomach that rounded outwards.

At least she could count on him to be there tomorrow night. Josh had moved out a few years ago – his BBC Scotland job allowing him to upgrade and buy a house in the west end of Glasgow. He’d also met someone, marrying the guy last year when the laws had changed to allow marriage and not just civil partnership.

Moving into the kitchen, Kelly opened the door of the cupboard – the high-up one where she deliberately kept her stash of chocolate in order that it was out of reach. The little psychological trick – out of sight, out of mind – had its limits, and inside that cupboard was several blocks of Dairy Milk, truffles and boxes of wraps that clients had given her at the start of the holidays.

There was another disadvantage of the January birthday thing, especially when you were approaching the big 4-0. Didn’t most women embark on a fevered diet before their fortieth – vowing that the old saying, fair, fat and 40 would not apply?

If your birthday was in early January, though, you had weeks of festive feasting just behind you snapping at your heels. All those Christmas parties and huge meals that marked out December – rich, luxurious foods people didn’t usually eat. Mince pies, sausage rolls, stuffing, cakes and puddings galore. This year, Kelly’s mother Rose had gone completely over the top. Her oldest daughter Louisa had come to hers for Christmas, having spent all of the Christmases since she’d been married with her in-laws. Louise had decided early on that her in-laws were far worthier of attention and attendance than her own family.

Conscious of the honour, Rose went all out, anxious to create a feast so magnificent her fussy oldest daughter would never go anywhere else again. Once the attendance had been confirmed, she had rushed off to the shops and bought every food magazine she could get her hands on, flicking through them feverishly in the search for the best menu she could find. The resultant Christmas meal had included canapes, a first course, a fish course, the main course, pudding and cheese and biscuits. Kelly had thought she might pop afterwards. Josh would have told her, “Well, you can always say no, can’t you?”. As if it was that simple. Rose was a feeder. She took refusals to eat her food personally. A person had to say “no” at least three or four times before she stopped offering you second helpings. Most of the time, it was easier to wearily accept.

There had been lots of leftovers and everyone had been sent away with foil-wrapped packages. As Kelly was the family’s only vegetarian, the goat’s cheese and mushroom pie hadn’t been touched by anyone else, so off she went with enough food to feed eight people. Her mother had perfect hands for pastry and what she’d made for this pie was flaky and light. Kelly had also ended up the recipient of 12 mince pies, lots of cheese straws and a white chocolate cheesecake that only had a quarter missing from it.

She had left the food in her fridge from a few days, in which time she had made some serious dents in the cheesecake, but eventually she threw it all out, covering the lot with washing-up liquid to deter any bin raids late at night.

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How to Self-Publish…

If it looks like a book...

If it looks like a book…

OK, OK – this one is a bit of a misnomer in a blatant attempt to try and get more search engine hits. I am, in reality, a brazen, attention-seeking hussy who will stop at nothing in my quest to make the world sit up and notice.

(I should have called this post how to self-publicise, rather than publish really.)

Anyway, I am jolly excited today because publication of my own book is indeed imminent. It would be foolish to name a date, but the moment of holding a hard copy of Katie and the Deelans in my hands creeps ever closer. Excitement reigns in the highheelsandpinkglitter household.

Yup, the gent on the left demonstrates the ease of getting published first time.

Yup, the gent on the left demonstrates the ease of getting published first time.

There’s a saying about press & PR (it being dead an’ all) that companies or brands are no longer content trying to get published, they are publishers in themselves and the same can apply to writers. Why bother with the faff that is agent-hunting [cue: different submission versions required for each, plus the wait for replies, plus the generic rejection emails] when you can cut to the chase AND not have to hand over a fair whack of your sales?

Thanks to mywritingblog.com for this image.

Thanks to mywritingblog.com for this image.

Really, the title of this post is – why self-publish? There’s an excellent guide here as to the pros and cons of self-publishing versus traditional publishing. Naturally, as it suits my purposes (and my efforts with traditional publishing have so far yielded a big fat zilch) I’ve chosen to focus on the drawbacks of traditional publishing (and thanks to Kevin Martin-Smith for this info):

Traditional Publishing Drawbacks

It’s slow: It takes somewhere between 9-18 months for a book to be released once it is submitted to a publisher, an infinity in the digital world.

It’s unfair: Publishers take the lion’s share of royalties, usually 85-92%. That means most authors earn about a buck per book, or less. Publishers hog roughly 70% of electronic royalties, for a product that has almost no production or distribution costs.

It’s outdated: They are not social-media savvy; they may have powerful inroads to traditional media, like TV and print magazines, but those things are increasingly irrelevant to book sales.

It’s ineffective: They do not give most authors a very big marketing push, or sometimes any marketing push at all.

It’s short-lived: Most authors’ books will be in bookstores for a few weeks and then get pulled from the shelves when they don’t sell very well, leaving it entirely up to Amazon sales. This begs the question: why not just use Amazon?

It’s not cost-effective: The vast majority of authors don’t make any real bankable money on their books.

Thanks to Kevin Martin-Smith for the above info.

My own route to self-publishing goes like this… Write a book. Phew – that’s the difficult bit over and done with, hmm? Ah no. Re-write book once. Re-write book twice (this time stripping out a lot of excess stuff, even though it made me want to cry).

Use social media. I found a publisher through LinkedIn, specifically the small and perfectly formed Comely Bank Publishing, a publishing firm aimed at creating opportunities for Scottish-based authors.

CBP’s modus operandi is:

Comely Bank Publishing aims to create opportunities for local Edinburgh-area authors to publish works of interest using twenty-first century publishing options, including ebooks and print on demand.

We genuinely believe that too many authors are failing to have their works published because publishers and publishing agents have become too cautious, grasping at poorer-quality work simply because it carries the name of an established author or a bankable name such as a sports star, and that the future of literature can only be saved if bright new talent is nurtured as it used to be.

[There are specific resources on this site designed to help new authors think about some of the issues surrounding publishing.]

Thirdly, find a professional proof-reader. I looked through elance. I work on elance so seeing it from the other side was interesting and enlightening (and I also picked up some tips for how to structure my proposals from now on).

And next? Well, next is apply the changes from the proof-reader, make a cover design decision and then… PUBLISH. And flippin’ self-promote like mad.

 

Additional image thanks to wikipedia. Mywritingblog.com available here.